The Tm Technique By Peter Russell Pdf To Word

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Jerry Seinfeld loves cars. He also loves comedians and coffee, which most people know by now. But none of these is Seinfeld's favorite thing in the world. No, the legendary comic's favorite thing in the entire universe is energy, and the best way to acquire more of it (he claims) is through Transcendental Meditation.

Nov 12, 2008. PETER RUSSELL The Evolution of Consciousness. ERVIN LASZLO The Current and Next. Evolution of Human. Books, including The TM Technique, The. Brain Book, The Creative Manager, the. Do not think to themselves in words, and they probably do not reason as we do. And they do not seem to.

Seinfeld raved about TM on the SiriusXM radio show 'Success Without Stress,' calling energy 'the thing that I love more than money, more than love, more than just about anything.. I think this is the reason, by the way, that I am so enthusiastic about TM.'

He's far from alone. 'It's a game changer,' Katy Perry beamed about TM in the April 2017 cover story of Vogue, explaining that it makes her feel illuminated by 'a halo of lights.'

'I come from a line of neurotic Jewish women who need Transcendental Meditation more than anyone,' Lena Dunham told a crowd at the David Lynch Foundation, a nonprofit that provides scholarships and pro-bono TM instruction to underserved populations.

Other celebrity advocates include Hugh Jackman, Ellen DeGeneres, Cameron Diaz, Aziz Ansari, Gisele Bündchen, Lykke Li, Jennifer Aniston, Kate Hudson, Gwyneth Paltrow, Oprah, Sheryl Crow, Paul McCartney, Clint Eastwood, Mick Jagger, Heather Graham, and Moby -- to name just a few. In fact, the list of famous TM devotees could go on almost forever; it even includes Fox News and News Corp. CEO Rupert Murdoch, a firm non-hippie who probably doesn't even know about patchouli oil.

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Among all the stars who practice TM, director David Lynch (Blue Velvet, Twin Peaks) is the most prominent and active evangelist. He and friend Bob Roth (a TM instructor and practitioner) founded the David Lynch Foundation in 2005, for which Roth serves as Executive Director. In the 12 years since, TM has become almost as ubiquitous in Hollywood as drinking green juice after sweating it out in a boutique cycling class.

But whenever a cadre of celebrities latches onto a spiritual movement and begins tossing around words like 'energy' and 'transcend,' people want to know what the hell they're missing, whether or not this is some kind of cult, or if it's merely another example of the rich and famous existing on a higher plane.

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Alternative spiritual practices have long been a hallmark of celebrity culture, with past examples ranging from the Source Family, the health-food pioneers parodied in Woody Allen's Annie Hall; to the Children of God, the controversial cult in which actor Joaquin Phoenix was raised. Then there's Scientology, which recently ignited a firestorm of controversy thanks to the documentary exposé Going Clear.

Transcendental Meditation, on the other hand, doesn't have too many critics. Billed as an 'effortless' form of meditation that must be practiced for 20 minutes twice a day, the TM technique requires practitioners to sit with their eyes closed and silently repeat a personalized Sanskrit mantra (word or phrase) to themselves.

The results are as varied as the people who practice it. Hip-hop mogul Russell Simmons says it's 'almost like magic -- when you're awake, things become easier.' Hedge fund manager Ray Dalio describes it as making him feel 'like a ninja in a fight,' while actress Eva Mendes says it 'helps creatively on a level that I can’t describe.. It’s tapping into something so deep that when I reap the rewards, I don’t even know I’m reaping them.' Descriptions differ, but a consensus emerges among the advocates: Transcendental Meditation is freaking great.

As a trademarked (™!) methodology, the teaching and initiation process of TM has been highly organized, standardized, and, yes, monetized -- the only way to learn the officially sanctioned version is from one-on-one instruction, taught by licensed TM teachers, who are uniquely able to teach the technique to new practitioners by assigning them a personalized mantra based on factors like their temperament and occupation.

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Like the well-chronicled practice of Scientology, Transcendental Meditation groups require adherents to shroud their spiritual journey in some level of secrecy. Followers of Scientology reveal past traumas to select members of the Church during the 'auditing' process, which is intended to remain private; likewise, TM instructors ask that new practitioners not share their specialized mantra with anyone.

A four-day course to learn TM will set you back between $900 and $1,000 ($960, according to Roth), though the promises to the dutiful lifelong practitioner are designed to render the cost minuscule by comparison. What price can you put on stress and anxiety reduction, more focus and clarity, and a healthier heart, not to mention the specific conditions it purports to alleviate, like PTSD, ADHD, and depression?

The word 'transcend' doesn't exactly conjure up thoughts of lower blood pressure or less stress, but the $1,000 you're spending ostensibly gives you the chance to transcend on a regular basis. In his bookCatching the Big Fish: Meditation, Consciousness, and Creativity, Lynch describes the experience of transcending as 'bliss -- physical, emotional, mental, and spiritual happiness that starts growing from within. And all those things that used to kill you diminish..

'There's so much room for anxiety and fear. But transcending makes life more like a game -- a fantastic game.'

Not bad for $960.

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Roth has a pragmatic response to why an effortless practice costs anything at all: 'I believe teaching meditation should be a profession,' he says. 'The one-time $960 cost -- $480 for college students, $360 for high school students and younger -- is what helps the TM instructor have a salary. But if you don't have the money, we won't stop you.'

Roth clarifies that the price is a sliding scale, and that there are myriad grants and loans available for those that are unable to afford the standard price-tag. 'More people learn to practice TM for free through the David Lynch Foundation than pay,' Roth adds. 'But when you pay, you're helping to pay the teacher and the rent of the center -- and you're also helping to pay for a kid or a veteran to learn how to meditate for free.'

That's the mission Roth returns to consistently: those who can afford instruction not only receive a lifetime of benefits, but they help provide those same benefits to schoolkids, veterans, inmates, and others who wouldn't be able to pay for the course on their own. And it's easy to see the broad appeal beyond those who struggle with PTSD or have other specific issues they'd like to address, especially when someone like Oprah describes TM as 'a powerfully energizing yet calming experience. I didn’t want it to end. When it did, I walked away feeling fuller than when I’d come in. Full of hope, a sense of contentment, and deep joy.'

On the other side of the coin, though, comes suspicion, especially in light of stories from former Scientologists like Leah Remini and Paul Haggis, who accuse the Church of Scientology of aggressively soliciting funds from its members and inventing excuses to charge more for reaching supposedly higher planes of spiritual enlightenment. In both cases, rigorous standardization and tight-knit community engenders purity and precision, but also a sense of intrigue and elitism, both of which are ageless -- even defining -- aspects of celebrity culture. In that sense, it's easy to see why TM has taken Hollywood by storm.

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As for how it all happened in a relatively short period of time, Roth concedes that Lynch has driven TM's spread among the elite creative cohort. 'People in his field -- a Martin Scorsese, or a Naomi Watts -- would go to him and say, ‘What's this meditation thing?' and he would say, 'Bobby' -- people call me Bobby -- 'Would you teach Martin?'

Long before Lynch ignited a word-of-mouth trend, Transcendental Meditation had roots planted firmly in pop culture. Maharishi Mahesh Yogi founded TM after beginning his ascent to guru-hood after spearheading the 'Spiritual Regeneration Movement' in India in 1958. The following year, Maharishi himself brought the newly minted technique of Transcendental Meditation to the US, picking up steam in the '60s, during the glory days of alfalfa sprouts and Esalen, the latter of which was portrayed in the final episode of Mad Men. As cultural winds shifted and a new generation became interested in free thought, free love, and expanded consciousness, TM began attracting celebrity acolytes, most notably members of The Beatles and The Beach Boys.

Today's George Harrison is Lynch, who hasn't made a film since 2006's Inland Empire, and whose legendary TV show, Twin Peaks, only recently returned after a 25-year hiatus. It's clear that Lynch has spent the last decade primarily focused on his TM practice, supporting advocacy initiatives for TM education at the David Lynch Foundation, and spreading the gospel of TM to Hollywood and beyond. 'It was important for me to say something to the people.. about my personal experience,' Lynch told The New York Times, reflecting on studying TM under the tutelage of Maharishi himself in 2002.

Though Lynch has been meditating for more than 40 years, it was only after practicing TM with its founder -- spending an eye-popping $1 million to do so -- that Lynch began his journey as a missionary for the cause. Never mind that Maharishi didn't even make a physical appearance, merely communicating with Lynch via dial-in from his room. Apparently, it was one hell of a teleconference because it convinced the director that he needed to evangelize on behalf of Transcendental Meditation, eventually culminating in the formation of the David Lynch Foundation. 'Lynch doesn't even want to make films anymore,' director Abel Ferrara asserted in an interview with Indiewireback in 2011. 'I'm a lunatic,' Ferrara added, 'And [Lynch is] pushing Transcendental Meditation.'

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It's that $1 million price tag to study with an absentee guru that gives cause for suspicion of this supposedly rigorous spiritual practice. And with celebrities now at the helm of TM's revival, it's no wonder that people have begun to wonder about its 'cultic dimension.' At what point does belonging to a costly spiritual community cross the line separating benign practice and coercive sect?

The very conceit of meditation is democratic, that anyone and everyone can benefit from its practice without a cost-based barrier to entry. So perhaps the draw of TM for celebrities is that it offers a sense of exclusivity: why wouldn't famous multi-millionaires spend a relative drop in the bucket to be a part of a spiritual cool kids' club? And the air of secrecy surrounding the mantra may offer a small sense of privacy to people who normally get very little of it, even though that secrecy could create the impression that TM is a relatively benign kind of cult.

Carole Cusack, Professor of Religious Studies at the University of Sydney in Australia, cautions that 'cult' is an amorphous word used by the public to sensationalize stories about fringe spiritual practices, and not by scholars studying new religions and spirituality, '[The word cult] belongs to the world of tabloid journalism and sensationalist revelations about abuses in communities, etc.,' she says, explaining why it so often appears in stories about Scientology.

'A cult is a religion or a spirituality that you don't like,' she adds. 'All the things that people criticize about Religion A happen in other religions; it's just that Religion A gets stigmatized.'

Critics have called Maharishi 'a fraud.'

Transcendental Meditation isn't a religion per se, so it can more easily avoid accusations of cultishness. But for Cusack, it's difficult to distinguish a practice from the religious tradition that spawned it: 'TM is mostly taught as a technique.. I think that it's a bit simplistic to imagine that you can completely sever a practice that is meant to be religious from its religious context.' In other words, even if TM is for everyone, can it truly slough off its roots in Hindu religious practice? And if it's inherently religious, doesn't it open the door for accusations of cult-like practices? After all, it was founded and spread by a self-styled guru who charged David Lynch $1 million for a teleconference, and who by some accounts promised followers they could learn how to fly.

Since Maharishi's death in 2008, more and more critics have sought to interrogate the roots of TM, calling Maharishi a 'controversial figure' and even 'a fraud,' pointing to John Lennon's eventual opinion of his former spiritual teacher. In 1986, former TM practitioner Robert Kropinski went so far as to sue the Maharishi University in Fairfield, Iowa for $9 million over allegations of fraud, neglect, and emotional damage (a jury gave him $138,000).

Today, Maharishi remains positioned as the iconic pioneer of the TM community, responsible for the organization's growth into a multi-billion-dollar empire -- while the David Lynch Foundation operates as a nonprofit, spreading any message (religious or otherwise) to the masses costs time and money, which means the DLF must raise funds. And soliciting money, no matter the cause, always has the potential to veer into coercive territory.

Roth wasn't shaken by the critiques of TM, which he addressed one by one: its price tag, its apparent secrecy, its elite celebrity cachet, its seemingly inexplicable trademark, even whether it could be considered a cult or passing celebrity craze.

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'It's not a craze,' he says. 'We teach 10,000 kids and nobody knows about it. But when we teach 20 Hollywood actors, the whole world knows about it and thinks everybody in Hollywood is doing it. In fact, tons more kids.. are learning it.'

Cynthia Ann Humes, Associate Professor of Religious Studies at Claremont McKenna College and an expert on Hindu practices and gurus in America, also points out that there's far more mainstream, casual acceptance of meditation than many people realize. 'You have so many doctors completely on board with teaching patients meditation so that they can overcome [health] problems. Meditation is not fringe anymore. It is an accepted form of behavior that can produce multiple goods.' Panasonic kx a141exm manual transfer case.

It shouldn't be a surprise that the kids receiving TM education, or patients with heart conditions learning meditation, aren't splashed on the covers of In Touch or Us Weekly. But Roth also doesn't deny that celebrity endorsements help the current goals of the David Lynch Foundation: 'To raise sufficient funds to do large enough independent research studies on TM.. and to make it available to anyone and everyone who would like to learn,' in his own words. 'The wealthy people I teach are the ones who… are funding all these programs for the kids anyway,' he explained. 'Remember, the $960 pays for a lifetime of instruction… and helps a child or veteran learn for free.'

Are you transcending with a small t, or Transcending, capital T?

So when Hugh Jackman says, 'In meditation, I can let go of everything. I’m not Hugh Jackman. I’m not a dad. I’m not a husband. I’m just dipping into that powerful source that creates everything. I take a little bath in it,' he is also, by Roth's formulation, performing a transitive act of charity because he supports TM and the work of the David Lynch Foundation.

While Humes points out that many of the medical and psychological benefits of meditation don't necessarily specify that you have to practice a trademarked version to drop your blood pressure or reduce anxiety, there are also studies suggesting TM in particular offers benefits: the official TM website boasts 380 peer-reviewed research studies in more than 160 scientific journals. This enumeration closely mirrors the list of proven benefits of other, untrademarked meditation methodologies, from mindfulness to loving-kindness to Vedic meditation (a mantra-based technique that is said to be nearly identical to TM, minus the $960 price tag).

'There's too much siloing,' Roth laments, speaking of people's tendency to over-categorize the array of meditation techniques out there. 'They're different tools. And I think people should be given access to as many tools that are scientifically validated to work.'

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In explaining TM's particular methodology, Roth makes a sensible defense for the TM trademark: it's a matter of 'quality control.' Given that meditation has been rendered so much a part of capitalism that people casually market themselves as mindfulness 'coaches,' there's an even greater need for standardization. 'Mindfulness is so diffuse that anybody can say anything,' Roth said. 'And from a scientific standpoint, that's very dangerous.'

More simply: Are you transcending with a small t, or Transcending, capital T? For instructors of TM, it makes all the difference, and keeping the mantra a secret is a part of standardizing TM instruction, according to Roth.

'Keeping [the mantra] private is actually to avoid confusion. When you learn, I give you a sound, a mantra, and it's yours. These mantras are over 5,000 years old. I don't have 7 billion different mantras, someone else could have your mantra,' he says. 'But the way you think it, the way it fits you, fits your person, whatever it is, is going to end up being different than somebody else. And so we ask someone, when they learn, just keep it to themselves.'

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One thing is for sure: Celebrity support for TM has raised cultural awareness of meditation's benefits, which isn't just an inherent good, but potentially a cheap tool to help combat many of the chronic physical and psychological illnesses that currently require expensive, drug-based treatments to remedy. If saying, 'I meditate' is no longer synonymous with dwelling in an incense-filled commune, subsisting on unhulled flax meal from the bulk aisle, then more people can reap its benefits. Companies like Google, Amazon, Goldman Sachs and Deutsche Bank offer meditation classes to their employees for reduced stress and boosted productivity. From celebrity culture to professional life, meditation has become cool, normal, mainstream.

Whether or not its popularity will peter out in Hollywood remains a question. Will TM disappear from tabloid pages if and when David Lynch tires of holding its banner?

For Roth, it's an irrelevant question; only results matter. 'Our whole focus is research now,' he says. 'If the VA pays for veterans to have Xanax, Ambien, or Klonopin, why can't they also pay for a veteran to learn TM or mindfulness or something else if there's research to show that it works?' Roth is quick to qualify that he has 'nothing against the pharmaceutical industry,' but his comparison demonstrates a compelling point. We don't dismiss pharmaceutical companies as unethical for promoting pills that have pages of adverse side effects, but we shudder when hearing that a branch of meditation cares about quality control, research, and compensation for its instructors.

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Another thing Transcendental Meditation has in its corner is that it doesn't ask all that much of anyone who wants to practice it. 'With TM, people don’t have to agree to accepting the whole shebang -- Hinduism for example,' Humes notes. 'Scientology requires you to accept everything. TM isn’t a religion in that sense. It’s not even a fringe religion. It doesn’t require you to change any belief patterns. The only thing you need to believe is that you need to practice meditation.' Despite Cusack's skepticism of the distance from religion a technique based on religion can achieve, Hollywood has yet to convert to Hinduism en masse.

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Unlike the bannermen of Scientology, Jerry Seinfeld will probably not be replacing his annual physical with spiritual devotion -- and we similarly don’t have to worry about Katy Perry and Lena Dunham raving about Thetans. Tom Cruise, on the other hand, will likely continue to use the Church of Scientology as a reason to regard chemical depression as bunk.

Regardless of whether you think meditation is hokey, or Transcendental Meditation is an excuse to charge people more for something that should be free, it's somewhat reassuring to know that teachers and practitioners of TM take its name seriously. As Roth puts it, most of us would be pretty horrified to meet someone who said 'I'm a cardiologist' who turned out not to be a cardiologist: 'It shouldn't be like a horrible odyssey to find out the phone number of somebody who's a properly certified meditation teacher.' If you seek out meditation, you shouldn't have to risk shelling out money to a genuine huckster with no training whatsoever.

As for whether Transcendental Meditation compares with Scientology as a coercive spiritual practice, Humes offers a telling anecdote. 'I used to invite Scientology people into my class on cults. I stopped bringing them into the classroom because it was so complicated. The students were almost frightened by the people sent to represent Scientology. It’s not the same.'

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The Lord of the Rings: The Fellowship of the Ring (2001)

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Sir Christopher Lee (Saruman) read 'The Lord of the Rings' once a year until his death in 2015, and had done so since the year it was published. He was also the only member of the cast and crew ever to have met J.R.R. Tolkien.
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Director Peter Jackson gave one of the rings used in the movies to Elijah Wood and Andy Serkis as a gift when the shoot was finished. They both thought they had the only one.
The Tm Technique By Peter Russell Pdf To Word
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Gandalf's painful encounter with a ceiling beam in Bilbo's hobbit-hole was not in the script. Sir Ian McKellen banged his forehead against the beam accidentally. Peter Jackson thought McKellen did a great job 'acting through' the mistake, and kept it in.
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Viggo Mortensen joined the movie when it was already shooting, never having met director Peter Jackson before, nor indeed having read the J.R.R. Tolkien book. It was Mortensen's eleven year old son Henry Mortensen who was the chief instigator in convincing Mortensen to sign on as Aragorn.
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The cast often had to fly to remote shoot locations by helicopter. Sean Bean (Boromir) was afraid of flying and would only do it when absolutely necessary. When they were shooting the scenes of the Fellowship crossing the snowy mountains he'd spend two hours every morning climbing from the base of the mountain to the set near the top, already dressed as Boromir. The crew being flown up could see him from their helicopters.
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Viggo Mortensen did his own stunts. He also insisted on using only the real steel sword, instead of a significantly lighter aluminum sword, or safer rubber sword, which were manufactured for battle scenes and stunts.
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The Elvish language lines spoken in this movie are not just quotes from the book, they were derived from J.R.R. Tolkien's own limited dictionary of that language. Dialect coach Andrew Jack used recordings of Tolkien reading his books to guide the actors' and actresses' pronunciations.
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For high-tech tasks, a computer program called MASSIVE made armies of CGI orcs, elves, and humans. These digital creations could 'think' and battle independently, identifying friend or foe, thanks to individual fields of vision. Director Peter Jackson's team could click on one creature, in a crowd scene of twenty thousand, and see through his 'eyes'. Different species even boast unique fighting styles.
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John Rhys-Davies (Gimli the dwarf) is the tallest of the actors, who play members of the Fellowship. He is 6' 1'.
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According to Sean Astin in the Extended DVD commentary, when Bilbo drops the Ring before leaving Hobbiton, the floor was magnetic to prevent the Ring from bouncing. This was done to demonstrate the importance and weight of the Ring.
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Orlando Bloom landed the role of Legolas two days before he finished drama school.
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During filming, most of the members of the Fellowship took up surfing in New Zealand in their spare time. Amongst them was Viggo Mortensen, who wiped out terribly one day and bruised one whole side of his face. The next day, make-up artists tried to mask the bruising and swelling, but were unsuccessful. Instead, Peter Jackson opted to film Mortenson from one side for the entire scene. In the Mines of Moria, when they find the tomb, Aragorn is only seen from one side in the whole scene.
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When Pippin is being hit with the apples after asking about second breakfast, it is Viggo Mortensen chucking the apple at his head. They had to shoot the scene sixteen times to get it just right, and Billy Boyd says he believes Mortensen enjoyed himself immensely.
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Veteran sword master Bob Anderson called Viggo Mortensen 'the best swordsman I've ever trained.'
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Originally, the narration at the prologue was to be spoken by Elijah Wood, but it was felt that the information imparted had little bearing on the character of Frodo. Sir Ian McKellen also recorded a narration, but once again, it was felt that Gandalf wasn't the right character to speak it; neither he nor Frodo was present at the events described in the prologue. They eventually settled on Cate Blanchett as Galadriel, as it emphasizes the timelessness of the elves.
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Viggo Mortensen (Aragorn), who is trilingual in English, Spanish, and Danish, requested the script be revised, to let Aragorn speak more of his lines in Elvish.
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When the dragon firework goes off at the party, the shriek heard is Billy Boyd actually screaming, as he was unaware at the time that the firework was really going to explode on-set (he thought that it would be in a separate shot). It was not scripted, but the take ended up in the final cut.
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The hobbits needed to appear about three to four feet tall, tiny compared with the seven-foot Gandalf. This was often accomplished using forced perspective, placing Sir Ian McKellen (Gandalf) consistently closer to the camera than Elijah Wood, in order to trick the eye into thinking McKellen is towering.
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Sir Ian McKellen based Gandalf's accent on that of J.R.R. Tolkien.
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This movie, The Lord of the Rings: The Two Towers (2002), and The Lord of the Rings: The Return of the King (2003) were filmed simultaneously. The back-to-back-to-back shoot lasted a record-equalling two hundred seventy-four days in sixteen months, exactly the same time as taken for the principal photography of Apocalypse Now: Final Cut (1979).
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Although in the movie it seems to be only a week or so, in the book, the time between when Gandalf leaves to research the Ring, tries to find Gollum, and when he returns to send Frodo on his adventure is a span of seventeen years.
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Viggo Mortensen purchased Arwen's horse after production and gave it to Liv Tyler's riding double.
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Viggo Mortensen chipped a tooth while filming a fight sequence. He wanted Peter Jackson to superglue it back on so he could finish his scene, but Jackson took him to the dentist on his lunch break, had it patched up, and returned to the set that afternoon.
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Liv Tyler accidentally stabbed herself in the right thigh when filming the 'If you want him, come and claim him!' sequence. The footage was featured in bloopers and outtakes of this movie.
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Boromir's speech at the Council of Rivendell was read from a sheet of paper sitting on Sean Bean's lap, as it was only given to him the night before.
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As well as being the only member of the cast and crew to have met J.R.R. Tolkien face to face, Sir Christopher Lee was also the first person to be cast in the trilogy, because of his extensive knowledge of the books. He frequently visited the make-up department, and often gave tips about the facial design of the monsters.
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Peter Jackson's original plan was to exclusively hire British actors for the roles of the hobbits. As it turned out, Billy Boyd and Dominic Monaghan were the only ones, and one of the tasks he charged them with was to coach Elijah Wood and Sean Astin in the ways of British pub culture.
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Peter Russell Meditation

The different colors of blue for the elves' eyes revealed what race they were. The Lothlorien elves had light blue eyes, and the Rivendell elves' eyes were dark blue.
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Hobbiton was made a year before production began to make it look like it was a natural, lived-in place, complete with real vegetable patches. The greens department regulated the length of the grass by having sheep eat it.
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The ironic part about the Fellowship mourning the loss of Gandalf was, at that point, none of the cast members had met Sir Ian McKellen, let alone seen him dressed up as the wizard.
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Orlando Bloom originally auditioned for the part of Faramir, a supporting character (eventually played by David Wenham) in the next two movies. He was called back and subsequently cast, instead, in the more prominent role of Legolas.
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It is estimated that filming of the trilogy pumped about $200 million into the New Zealand economy. The New Zealand government even created a Minister for Lord of the Rings, whose remit was to exploit all the economic opportunities the movies represented.
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Viggo Mortensen kept his sword with him at all times off-set, so that he could remain in character. He was questioned several times by police, after reviewing his training sessions with the sword and being spotted by members of the public.
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Orlando Bloom (Legolas) did most of his own stunts, and broke a rib in the process.
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Liv Tyler deepened her voice so much to play Arwen that her father Steven Tyler asked her if her voice had been dubbed by someone else.
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The original cut ran four hours and thirty minutes.
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In one take of the Bucklebury Ferry scene, Elijah Wood overshot his jump, and ended up in the river instead of on the ferry.
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Sean Astin gained thirty pounds for his role as Samwise Gamgee.
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Eight of the nine members of the Fellowship got a small tattoo of the word 'nine' spelled out in Tengwar, which is the Elvish script created by Tolkien. They got it at a tattoo parlor in Wellington, New Zealand, to commemorate the experience of the movie. The ninth member, John Rhys-Davies, declined, and sent his stunt double in his place. Elijah Wood's tattoo is on his lower stomach. Sean Astin and Billy Boyd have the tattoo on their ankles (to commemorate all those hours in the hobbit feet). Orlando Bloom, who plays the archer elf Legolas, has his on his forearm. His tattoo is visible during a fight scene in Pirates of the Caribbean: The Curse of the Black Pearl (2003). Sir Ian McKellen's is on his shoulder. Dominic Monaghan's is on his shoulder. And the eighth member, Sean Bean, has his tattoo on his right shoulder. Viggo Mortensen has his tattoo on his left shoulder. It is visible on some pictures from the movie Eastern Promises (2007).
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After the New Zealand premiere, director Peter Jackson joined the actors who played the nine members of the Fellowship by getting a commemorative tattoo of his own. While their tattoos were the Elvish symbol for '9', Jackson received an Elvish '10'.
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A rubber puppet with a horrific face was superimposed over Sir Ian Holm's face when Bilbo Baggins covets the ring in Rivendell. Holm was so delighted with the puppet that the design team had a cast iron version of it made for his mantelpiece, and gave it to him as a parting gift when Holm wrapped all of his scenes on this movie.
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The two most renowned Tolkien artists are Alan Lee and John Howe, and so it was important to Peter Jackson to have those two on-board. Lee was tracked down to a tiny little village in Dartmoor, England, and was FedExed a package of Jackson's Heavenly Creatures (1994) and a letter outlining his intentions. They monitored the progress of the FedEx package every step of the way, but were somewhat surprised when Lee rang them only three hours after delivery to say he'd love to work with them. Howe, meanwhile, was living in Switzerland, and because someone hadn't worked out the time differences between Switzerland and New Zealand correctly, he was called at about 2 a.m. He says that the biggest frustration with that phone call was waiting for Jackson to finish his pitch before he could say yes.
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Two sets of Bag End, Bilbo Baggins' house, were built. One to accommodate the Hobbits, the other thirty-three percent smaller, for the full size Sir Ian McKellen, right down to smaller versions of the books on the bookshelves.
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Over twelve and a half million plastic rings were made in order to fabricate simulated chain mail for the movie. Two crew members spent the length of the shoot linking the rings by hand into suits of armor. By the end of production, they had worn the fingerprints off of their thumbs and index fingers.
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When Gandalf had his big stand-off scene with the Balrog, Sir Ian McKellen was actually acting to a green ping pong ball, which was used, along with the greenscreen technology employed during filming, to give him and other cast members a reference point for some of the larger CGI characters.
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While filming the trilogy, Viggo Mortensen got so into character that during a conversation, director Peter Jackson referred to him as 'Aragorn' for over half an hour without him realizing it.
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Stuart Townsend was originally cast as Aragorn, but was replaced by Viggo Mortensen after four days of shooting, because Peter Jackson realized that an older actor was needed.
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Sean Bean swears that he was not actually in New Zealand on the day they shot the scene where the Fellowship departs from Rivendell, and that he must have been digitally added to the shot.
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When you see Frodo and Gandalf sitting on a cart at the beginning, forced perspective meant that Elijah Wood was three feet behind Sir Ian McKellen.
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The moth to which Gandalf whispers was born shortly before filming that day, and died soon after the scene was finished.
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Sir Ian McKellen hadn't read the books when he was first approached by Peter Jackson to play Gandalf. It was Jackson's enthusiasm for the project that won him over.
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Gimli's line 'Nobody tosses a dwarf!' was filmed after the 'Toss me' line in The Lord of the Rings: The Two Towers (2002).
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During the Council of Elrond, leaves are continually falling in the background to suggest that this is a meeting that is taking place outside. This meant about half a dozen crew members were positioned above the set, dropping leaves at various intervals. This also meant that the production department had to collect numerous sacks of leaves during autumn, and of course dead leaves turn brown fairly quickly, which also meant that every one of those leaves had to be painted.
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When Bilbo finds the Ring at the start of the movie, Gollum shouts 'My Precious!' However, Andy Serkis wasn't on-set that day, so Dominic Monaghan stood in for him.
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Legolas' arrows in the final battle are computer generated. It would have been physically impossible for even the most gifted archer to fire off so many arrows so quickly.
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Throughout the trilogy, the color of Legolas' eyes change from blue to brown. This is because the contact lenses Orlando Bloom was wearing scratched his corneas, and could not be worn every day. In some of the shots, the post-production team digitally changed the color of his eyes.
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Bilbo Baggins' birthday cake has one hundred eleven candles on it, and they eventually set fire to the polystyrene cake.
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John Rhys-Davies suffered from a reaction to his prosthetics, usually inflammation around the eyes. That meant that he could never be filmed on consecutive days, and would always require at least a day off for his skin to return to normal. He was never anything less than three hours in the make-up chair.
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Peter Jackson originally contemplated having the character of Tom Bombadil, a character that was in the book, but never made it to the movie, incorporated into a cameo scene, in which the Hobbits are walking through the forest and see a man with a feathered cap dart through the trees, then they hear Tom singing, and begin running through the forest, but ran out of time to film it.
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The Orc blacksmiths shown beneath Isengard, are the WETA Workshop staff, who made the weapons used in this movie.
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Costume designer Ngila Dickson had forty seamstresses working for her, creating over 19,000 costumes.
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Orlando Bloom spent two months learning how to use a bow and arrow.
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If one watched the extended versions back-to-back-to-back, it would take him or her six hundred eighty-one minutes (eleven hours and twenty-one minutes) to finish.
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The scripts were essentially being re-written every day of the sixteen-month shoot, including input from the actors and actresses, who were all now heavily involved with their characters.
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Sean Astin's scene underwater didn't really happen. He was filmed in a dry studio, with fans making his cloak billow. The water effects were added in afterwards by computer.
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Before production began, it had to be determined whether computer effects could convincingly create battle scenes featuring thousands of warriors. Peter Jackson invested his own money in the pursuit of this software.
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When Frodo falls on the snow and loses the ring, a close-up of the ring with Frodo in the background is shown. In order to keep both the subjects focused, a giant ring (six inches in diameter) was used.
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Every actor and actress in this movie wore a wig, apart from Billy Jackson, Peter Jackson's toddler son, seen listening wide-eyed to a tale told by Bilbo Baggins at his birthday party. He had perfect Hobbit hair.
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Although Bill the pony is a feature of the novel, the writers initially decided not to include him as the Fellowship make their journey, for the simple logistical reason of transporting a horse deep into the mountains. The problem was solved in the more difficult shots by using the classic pantomime trick of dressing two people up as a horse, one at the front and one at the back.
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When the Fellowship comes out of hiding from the crows during their stop on the hills, Gandalf says 'Spies of Saruman!' However, during the first take of this scene, Sir Ian McKellen jokingly said 'Spies of Star Wars!'
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The scream of the Ringwraiths is actually co-writer and co-producer Fran Walsh.
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More than 1,600 pairs of latex ears and feet were used during the shoot, each 'cooked' in a special oven running twenty-four hours a day, seven days a week. There was no way of removing the feet at the end of the day without damaging them, and so each pair could only be used once. The used feet were shredded to prevent a black market in stolen hobbit feet, but apparently Dominic Monaghan (Merry) kept a pair.
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One of the indistinct words that Gandalf whispers to the moth when he is trapped by Saruman is 'Gwaihir', the name of the eagle that later rescues him from the tower.
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The climactic fight scene was shot in the middle of a heatwave, with temperatures in excess of one hundred degrees Fahrenheit (thirty-eight degrees Celsius). Many of the actors playing the Uruk-Hai had to be carried off the set with heat exhaustion.
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Sir Sean Connery was, at one point, offered the role for Gandalf, but he turned it down, due to reportedly 'not understanding the story'.
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The Elves are speaking Sindarin, a fictional language, which is influenced by Welsh.
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It's common practice with a big budget movie to have more than one unit shooting at any given time, usually two or three. With these movies, there were occasions when there would be between five and seven units shooting at any given time.
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Aragorn battling the Ringwraiths at Weathertop was Viggo Mortensen's first day on-set. It was also the first time that Mortensen had ever handled a sword.
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When Frodo is leafing through Bilbo's book in Rivendell, a page with dwarven runes is shown. The runes translate thus: 'Stand by the grey stone when the thrush knocks, and the setting sun with the last light of Durin's Day will shine upon the keyhole.' This is a reference (actually a direct copy) to a map in the book 'The Hobbit' and the runes tell of the secret entrance into The Lonely Mountain. Another page, to which Frodo turns, shows two illustrations of swords on one page, and a key on the other. While varying visually from their movie counterparts, these swords are Glamdring and Orcrist, the two swords Bilbo and the Dwarves found in the troll cave. The key is the key used to enter stone troll's hoard from The Hobbit novel which did not take place in The Hobbit: An Unexpected Journey (2012).
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Sometimes when there is a close-up of the ring you can hear a gruff voice chanting. This is the voice of Sauron and the words he is chanting are 'One ring to rule them all, one ring to find them, one ring to bring them all and in the darkness bind them', in the language of Mordor. Whenever Frodo puts the ring on, it is also Sauron speaking to him.
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Wherever possible, costume designer Ngila Dickson followed J.R.R. Tolkien's descriptions of the characters' clothing to the letter. One such example is Bilbo Baggins' waistcoat, which sports brass buttons, as referenced in 'The Hobbit'.
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New Zealand's Army was cast as extras for large battle scenes in this movie, but was forced to back out, due to having to serve as peacekeepers in East Timor.
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The scene of Bilbo finding the Ring in the prologue was the last scene that Sir Ian Holm shot as Bilbo Baggins. This same scene was also the first that Martin Freeman shot as Bilbo for The Hobbit: An Unexpected Journey (2012).
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The nocturnal screams of possums were used for the screeches made by the Orcs in the mines of Moria.
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During the council scene in Rivendell, when the fate of the Ring is being decided, when Boromir makes his plea for the Ring to be brought to Gondor, the 'Gondor theme' can faintly be heard. In The Lord of the Rings: The Return of the King (2003), when the characters finally reach Gondor, this theme is heard as a full orchestral piece. Composer Howard Shore didn't plan out that this Rivendell background music would develop into the 'Gondor main theme' by the third movie, but it ultimately did evolve into it.
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Composers are usually involved with movies for about six to eight weeks. By the time this movie was released, Howard Shore's involvement was stretching back for two years.
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Sean Astin reckons that there were fifty separate days of the sixteen-month shoot where the Hobbits had their prosthetic feet applied and they were never seen on camera.
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The jeweler that made the different sized rings that were featured in the movies is in Nelson, New Zealand. Two of the rings (the biggest and the smallest) are there for public viewing.
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J.R.R. Tolkien's original novel describes the fate of all of the surviving dwarves from The Hobbit. Gimli originally comes to Rivendell only to escort his father, Gloin, a member of Bilbo's quest, who has come to inform the Elves that servants of Sauron are searching for Bilbo. Gimli ends up being selected, so that the Dwarves, along with all the other free peoples of Middle-earth, would be represented in the Fellowship. Balin, whose tomb they find in Moria, was also a member. Sadly, most of the other surviving dwarves accompanied Balin there, and were killed when the Orcs and the Balrog returned.
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Miramax was the first studio to express an interest in Peter Jackson's interpretation of the books, but wanted to do it all in one movie. Jackson refused, leaving him with four weeks to find another studio for funding, touting the project as two movies. Calling upon his friend Mark Ordesky, who was an executive at New Line Cinema, a pitch was set up with New Line Cinema President Robert Shaye. His only quibble with the presentation was that it had to be three movies.
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When the trailer was released on the internet, on April 7, 2001, it was downloaded 1.6 million times in the first twenty-four hours.
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There are several close-ups of fingers toying with the Ring. While some have lovely cuticles and nails, some look quite ragged. The latter are Elijah Wood's hands. He has a habit of biting his nails.
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At the birthday party, when Bilbo is naming various hobbit families, he says 'Proudfoots' and a hobbit calls back 'Proudfeet', with his large feet in the foreground. The shot was deliberately framed to imitate the shot used in The Lord of the Rings (1978), as an homage to the movie that introduced director Peter Jackson to J.R.R. Tolkien's works.
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Liv Tyler had never read the book when she was approached to appear in the trilogy. She quickly boned up on Middle-earth lore, to the extent of even learning some Elvish.
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Enya's lyricist Roma Ryan learned Elvish for the two songs she contributed to this movie.
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While the rest of the Fellowship struggled through snow drifts, Legolas walked on the top of the snow. This is in line with the information given in the novel, where Mirkwood Elves are so light on their feet that they are able to walk on top of snow.
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When Arwen escapes from the Black Riders through the river by flooding them, the spell she speaks isn't subtitled. According to the Encyclopedy of Arda (see External Links: Miscellaneous # 58), she says: 'Nîn o Hithaeglir lasto beth daer; rimmo nín Bruinen dan in Ulaer', which means roughly 'Waters of the Hithaeglir, hear the word of power, rush, waters of Bruinen, against the Ringwraiths!'
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In order to make forced perspective a bit more interesting, the filmmakers devised a new system, consisting of a pulley and a platform. When the camera moved (which is normally impossible, as the forced perspective would become obvious), the actors also moved, and the perspective (seven-foot Gandalf, four-foot hobbits) would always be okay. They also used three differently sized props (large, medium, and small) to interact with the different-sized characters.
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The Tolkien estate was never in favor of director Peter Jackson's movie adaptation, but seeing as J.R.R. Tolkien signed the rights away in 1968 for $15,000 ($99,233 in 2012 dollars), there was nothing they could do about it. Tolkien's grandson Simon Tolkien came out in support of the production, and was, according to some accounts, disowned by his relatives, although Simon's father Christopher Tolkien later denied this.
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The voices of the Black Riders (heard when they reach the Shire, before Gandalf returns, and when Arwen carries Frodo across the river) were provided by Andy Serkis, the voice of Gollum.
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Dominic Monaghan (Merry) wore a fat suit made of foam. He drank three liters of water a day so he would not dehydrate.
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Peter Jackson considered casting Sylvester McCoy as Bilbo Baggins before settling on Sir Ian Holm. McCoy played Radagast the Brown in The Hobbit trilogy.
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One of the stuntmen dislocated a shoulder in the scene where the Hobbits tumble down the hill after pilfering vegetables. This was also the first day of shooting.
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The illuminated door that leads to the Mines of Moria was painted with the same substance of which cats' eyes and road signs are made.
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Sir Ian Holm (Bilbo Baggins) was the voice of Frodo Baggins in the 1981 BBC Radio adaptation of 'The Lord of The Rings'.
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In one of the most obscure references to the book, Bilbo states proudly to Gandalf that Frodo is 'a Baggins, not some blockheaded Bracegirdle from Hardbottle.' Lobelia Sackville-Baggins, the relative who knocks on the door during this scene, was mentioned in the book as being born a Bracegirdle from Hardbottle.
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During Bilbo's party, Pippin can be seen in the band playing a guitar.
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Sir Ian McKellen teased Sir Ian Holm that his old-age make-up made him resemble Dame Judi Dench's mother.
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The big trees in Lothlorien forest are made of rubber.
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The four actors playing the young Hobbits would have to go into make-up at 5 a.m. and stand for an hour and a half while their prosthetic feet were being applied. Sean Astin's personal make-up artist doing this was named Sean Foot.
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Although larger actors were cast as hobbits, and shrunk by visual effects, the filmmakers discovered that full-size actors (six feet tall) did not look right when the effects were applied. Therefore, the hobbit actors averaged around 5' 6'.
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Gollum looks different in this movie than in later installments, because scheduling forced those scenes to be filmed based on an early design (made before Andy Serkis was cast in the role). He is only seen in brief glimpses, partly due to this discrepancy, and partly to tease audiences before his entrance in The Lord of the Rings: The Two Towers (2002). Peter Jackson (jokingly) said in the commentary on the Extended DVD that sometime in the future he would enjoy creating a 'Special Edition' (à la Star Wars: Episode IV - A New Hope (1977)) where this inconsistency could be fixed.
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This movie stayed in the U.S. top ten grossing movies for thirteen weeks.
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Although Frodo calls him Uncle Bilbo, Frodo is (according to J.R.R. Tolkien) Bilbo's second cousin once removed, which is also how Pippin describes his relationship with Frodo in the Prancing Pony.
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About twenty-eight separate Hobbit holes had to be built for the Shire. Each one had to be different.
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Peter Jackson has the entire Bag End set in storage.
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1,460 eggs were served to the cast and crew for breakfast for every day of shooting.
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Security was tight on the set. At least three people were arrested for attempted break-ins.
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In each movie in the trilogy, the subtitle of the movie is incorporated as dialogue. In this instance, Elrond: 'So be it. You shall be the Fellowship of The Ring'.
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New Line Cinema insisted on a prologue of two minutes. What they received was one that lasts for seven and a half minutes.
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The overall budget for the trilogy was $300 million, plus another $200 million for publicity and marketing.
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Fans were offered the chance to have their names in the Special Edition's lengthy closing credits for $39.95.
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Production designer Grant Major personally supervised the translation of all the writings in Balin's tomb into Dwarvish. He was then horrified to learn that a visiting J.R.R. Tolkien scholar had taken great offense at seeing the phrase 'Joe was here' among the writings. They scoured the contents of Balin's tomb and found nothing, only to learn that the scholar, who was overly serious about everything to do with Tolkien, had been told this by a crew carpenter, who has having a joke at his expense. Intrepid fans later published screen captures and translations of Moria wall segments, where the runes spelled 'John was here', and 'Made in New Zealand'. During pre-production, Weta artists asked Tolkien expert Michael Martinez if there were any examples of Orc graffiti in the book. Martinez found one citation (in the chapter where Frodo, Sam, and Gollum see a defaced statue in Gondor). He used other passages to argue that the Orcs would have used runes to carve graffiti on Moria's walls.
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Ranked number two on the American Film Institute's list of the ten greatest movies in the genre 'Fantasy' in June 2008.
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Some of the customers in the Prancing Pony are walking around on stilts to emphasize the height difference with the Hobbits.
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The large tree that stands above Bag End was built especially by the production department. Every leaf had to be manually attached.
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Bret McKenzie made a silent cameo as an elf during the Council of Elrond scene. His attractive character was noticed by fans, who dubbed him 'Figwit' (short for 'Frodo is great..who is THAT?!?'). His celebrity on the Internet was such that Peter Jackson (who has informally accepted the use of the name), brought him back in The Lord of the Rings: The Return of the King (2003), with two scripted dialogue lines.
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When he makes tea for Gandalf, Bilbo mentions 'cold chicken and pickles'. A line from 'The Hobbit' has Gandalf telling Bilbo to bring out the cold chicken and pickles.
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Usually on a theatrical movie, when the director comes to view the dailies, there's about twenty to twenty-five minutes of footage to be seen. Because of the number of different units out filming at any one time, the dailies for this movie were about three to four hours long.
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Sir Patrick Stewart was offered the role of Gandalf, but he turned it down because he didn't like the script.
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With the exception of the Bridge of Khazad-dûm, there are no curves or circles in the architecture of Moria, only polygons.
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Cate Blanchett's role as Galadriel required her to film for only a month.
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For the role of Lurtz, it took eleven hours for Lawrence Makoare's full costume and make-up to be applied.
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For the musical background to the chase in the mines of Moria, Howard Shore wanted some heavy chanting, so he cast a Maori choir.
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During the 2001 Cannes Film Festival, twenty minutes of this movie was shown to a crowd at a nearby castle, including members of the production, the first time this movie's actors and actresses had seen any completed footage.
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This movie was the first recipient of the American Film Institute's Movie of the Year Award.
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The map Gandalf picks up in Bilbo's study is a reproduction of the map J.R.R. Tolkien drew for the book 'The Hobbit'. The map is of Erebor, the Lonely Mountain, which is the site of the quest in The Hobbit. The map plays a significant role in director Peter Jackson's trilogy based on that book.
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Peter Jackson's first two choices for the role of Aragorn were Daniel Day-Lewis and Russell Crowe. Crowe was excited about the prospect of being involved with a major movie in New Zealand, but couldn't commit due to scheduling conflicts in the U.S. Crowe was born and lived in New Zealand until he was four years old, when his family moved to Australia.
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The shots that were too visually complex to be conveyed on a storyboard were rendered digitally on a computer, in a stage known as pre-visualization. Peter Jackson received a lot of pointers on this from George Lucas and his Star Wars producer Rick McCallum at Skywalker Ranch. When he returned to New Zealand, he hired a lot of recent digital artist graduates to help him create his pre-visualization concepts.
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The sounds of the Orcs were, in part, recordings of elephant seal pups at the Marine Mammal Center in Sausalito, California, a marine mammal hospital that rescues, rehabilitates, and releases sick and injured seals, sea lions, whales, and dolphins.
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The three trolls, which were turned to stone in 'The Hobbit', make a cameo in the background while Frodo, Sam, Merry, Pippin, and Aragorn are resting after fleeing from Weathertop.
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Sir Christopher Lee broke his left hand after he slammed it on his hotel door. The injury is obviously seen as Saruman jeers at the Fellowship's plight on Caradhras.
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During one take of the Buckleberry Ferry scene, a very strong splinter found its way through Dominic Monaghan's prosthetic foot and into his own, causing him considerable pain. While crew members took the splinter out of his foot, Monaghan bragged to his fellow hobbits as to how large the splinter would be, but it ended up being very small. From that point on, Billy Boyd would tease him about splinters whenever something happened to Dominic, much to Dominic's frustration.
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John Astin, Sean Astin's stepfather, was considered for the role of Gandalf. He had also worked with Peter Jackson and Fran Walsh before in The Frighteners (1996), and came back very excited about their passion for film, which led to Sean Astin to pursue the role of Sam.
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James Horner was contacted to compose the music for this movie, but he was unavailable because of his work on A Beautiful Mind (2001). The choice of Howard Shore as composer took some people by surprise, because he was associated with dark thrillers and had never worked on an epic movie of this scale. He ultimately won his first Academy Award for Best Original Score for this movie.
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While filming the scenes on the River Anduin, Orlando Bloom and John Rhys-Davies were swept out of their boats.
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Bilbo's cake caught fire as he was about to leave the party, but Sir Ian Holm gamely finished the scene.
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Development of a live-action adaptation of the book 'The Lord of the Rings' had been in process as far back as 1957, when Hugo Award-winning science fiction magazine editor Forrest J. Ackerman had successfully convinced J.R.R. Tolkien to grant him permission to attempt one. In the forty plus years before Peter Jackson finally managed to film the trilogy, John Boorman, Stanley Kubrick, and The Beatles had all either attempted or expressed interest in filming their own adaptations.
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As Gandalf and the others leap the stairway gap in Moria while fleeing the Balrog, incoming arrows shot at them by goblins high above seem to rapidly flex. This is not an accidental special-effects artifact, arrows actually do this, and it contributes to stable flight, similar to a gyroscope's effect. That one of Legolas' arrows does not flex in a flying-point-of-view shot may indicate that elvish arrows are enchanted, or that the filmmakers just wanted to spare the audience the extra distraction in that shot.
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Wellington, the capital of New Zealand, changed its name to 'Middle-earth' for the movie's opening.
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Tolkien based Gandalf on two figures of mythology: first Väinämöinen, the hero of the Finnish epic Kalevala. The other is Odin, the Mayor deity god of Norse Mythology. Odin is traditionally seen as an old one-eyed wanderer, with a long grey beard, an old brimmed hat and a staff. Tolkien referred to Gandalf as an 'Odinic wanderer'.
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The bridge in Hobbiton was built by the New Zealand Army out of polystyrene.
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In this movie's first theatrical release, a story circulated that when Sam tells Frodo that he is now the farthest he has ever been from home, a car is visible driving by in the background (top-right corner of the screen). Arguments ensued. Some said it was smoke from a chimney, others said they saw the glint of sunlight reflected from the windshield of a fast-moving vehicle. In the version of the movie released on DVD, there is definitely no car, only chimney smoke and a one-frame flash of light that could conceivably be a car, but not in any sense that could be considered a goof. Peter Jackson said (in the commentary track on the Extended DVD) that he looked at every frame on a computer, and has never seen anything resembling a car, and claims that it's nonsense (and certainly the original sighting remains unconfirmed by IMDb goof spotters). In the documentary of the Extended DVD version, editor John Gilbert says that there was a car in the background, but they thought no one would notice it. They got rid of it in the DVD version. In a subsequent magazine interview, Jackson agreed that the car was there.
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Elijah Wood dressed up in breeches and a flowing shirt and went out into the hills to shoot his audition tape. His friend George Huang directed the video.
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In the Extended Edition DVD, during the 'Concerning Hobbits' prologue, there is a brief shot of Sam holding up a bunch of flowers by the rootball for planting. This is the only place in the trilogy where Sam (Bilbo and Frodo's gardener) is actually seen gardening.
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The New Zealand government brokered a new tax deal when New Line Cinema threatened to pull the production.
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The main sound elements for the cave troll were a walrus, a tiger, and a horse.
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The water used on the Rivendell set was brought in, and contained chlorine. The entire water system had to be waterproof, so that the chlorinated water would not leak into the ground and contaminate natural water. After shooting was finished, the water was collected back.
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The climax of the movie actually inter-cuts the last chapter of the book (Boromir trying to take the Ring from Frodo, Frodo's escape and his departure with Sam) with the first chapter of the second book, which shows Boromir's death and funeral, Merry and Pippin's capture, and Aragorn, Gimli, and Legolas beginning their pursuit of the Orcs.
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David Bowie expressed interest in the role of Elrond, but Peter Jackson stated, 'To have a famous, beloved character and a famous star colliding is slightly uncomfortable.'
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The portraits hanging above the fireplace in Bag End are based on the likenesses of Peter Jackson and Fran Walsh.
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After much deliberation and discussion, New Line Cinema decided to do away with a prologue, as it would have been overstuffed with information. This was much against the wishes of Peter Jackson, who saw the prologue as a necessary 'crash course in Middle-earth history'. It was only after production had wrapped, and Jackson had flown to London to start working on the score, that he got an instruction from the studio to include a prologue. So while Howard Shore was recording the music track, Jackson and editor John Gilbert were huddled in a corner with an Avid machine, compiling the footage with which he had originally dispensed.
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During filming, Liv Tyler left her pair of prosthetic ears on the dashboard of her car. When she returned, they had melted.
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The design for the Hobbits' feet took over a year to perfect. Over eighteen feet were produced for the four lead Hobbits alone, and each pair would take about an hour and a half to be put on over the actors' real feet.
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Galadriel's house at Lothlorien was the largest miniature set built for the trilogy.
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Co-producer Rick Porras' wedding ring was the template for the One Ring.
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Large amounts of hair had to be imported into New Zealand for all of the wigs. They found some women in Russia who were cutting their hair and selling it to filmmakers.
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Sir Ian Holm was always Peter Jackson's first choice to play Bilbo Baggins.
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Jake Gyllenhaal auditioned for the role of Frodo.
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A scene involving the Fellowship escaping the Uruk-Hai, via some river rapids, had to be abandoned, as extreme flooding in the Queenstown area had washed the set away.
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Twenty of the thirty minutes of the end credits of the Extended Edition are dedicated to listing the charter members of the official Lord of the Rings Fan Club. Included as charter members are Peter Jackson, Elijah Wood, Sean Astin, Dominic Monaghan, Billy Boyd, Sir Ian McKellen, Viggo Mortensen, and many other cast and crew members.
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While Sir Christopher Lee was always Peter Jackson's first choice for the role of Saruman, Jackson did consider Tim Curry, Jeremy Irons, and Malcolm McDowell for the role.
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Sir Ian McKellen enjoyed playing Gandalf the Grey more than his transformed state (Gandalf the White) in the next two movies.
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Dominic Monaghan suffered from hay fever while filming the scene in the cornfield.
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'Moria', in Koine Greek, quite appropriately means 'folly', or 'foolishness'. In Elvish, it just means 'black chasm'. In Italian (accent on 'i') it means a deadly epidemic, like pest or smallpox. In Dwarvish, it's Khazad-dûm, a very more reassuring 'House of the Dwarves'.
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The total crew amounted to over 3,000 people, of which approximately 300 were in the art department alone.
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Pregnancy changed Peter Jackson's vision of 'The Lord of the Rings'. Originally, he wanted to cast Lucy Lawless as Galadriel and Uma Thurman as Arwen. Unfortunately, both became pregnant after being asked to read, and the roles were filled in by Cate Blanchett and Liv Tyler, respectively. Thurman was also considered to play Eowyn in later installments, but Miranda Otto landed that role.
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Dominic Monaghan (Merry) originally auditioned for the role of Frodo.
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The Weta Workshop produced fifty-eight miniatures, which were so large and detailed that they were nicknamed 'bigatures'.
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Peter Jackson shot many scenes directly from the earlier, animated adaptation of The Lord of the Rings (1978) directed by Ralph Bakshi.
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Elijah Wood never wore a full chainmail Mithril vest, only the top half.
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The city visited by Gandalf, when he's looking for information about Bilbo's ring after his birthday party, is Minas Tirith, shown extensively in The Lord of the Rings: The Return of the King (2003).
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During production, co-writer Brian Sibley visited the set. Sibley had previously written the BBC radio adaptation (with Sir Ian Holm), as well as the text to two maps of Middle-earth. In this case, he was researching for two books about the production of the movie version. He met co-writer Fran Walsh and discovered that they both had an interest in genealogy. They discovered that they had common ancestors buried in New Zealand, and were, therefore, distant cousins.
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Viggo Mortensen claimed that, although the filming of the trilogy was technically wrapped by December 2000, they had run over-budget, and that the second and third movies required expensive re-shoots of subpar footage over the following years.
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Miramax spent $14 million to develop the project, but because of the projected budget, the Weinsteins needed Disney's approval to go ahead. Harvey Weinstein made the pitch for two movies, with a projected budget of no more than $180 million. Disney's head Michael Eisner rejected his proposal. He thought The Lord of the Rings would not translate well to film, and there was a limited audience for the fantasy genre. After Eisner's rejection, the Weinsteins reluctantly let Peter Jackson shop the project to other studios. After sitting through Jackson's presentation, New Line Cinema's chief executive, Robert Shaye, committed to three movies, with a combined budget of $300 million.
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In the mines of Moria, the battery for Sir Ian McKellen's illuminated staff was hidden within the folds of his robes.
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John Howe, brought in to work on the production because of his longstanding reputation as being one of the great artists of J.R.R. Tolkien's work, was given the task of designing the Moria Orcs himself.
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John Howe designed Bag End to resemble a perfect English house, even though he's never actually been to England.
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Sir Ian McKellen originally declined the role of Gandalf, due to scheduling conflicts with X-Men (2000).
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This is one of five movies to have sat at number one for any amount of time on the IMDb Top 250. The others being The Shawshank Redemption (1994), The Godfather (1972), Star Wars: Episode IV - A New Hope (1977), and The Dark Knight (2008).
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The trilogy was voted number nine in Total Film's 100 Greatest Movies Of All Time list (November 2005).
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The only trilogy to have all three movies nominated for the top 100 greatest films of all time by the American Film Institute.
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Peter Jackson was concerned that the executives at New Line Cinema would object to the amount of smoking in this movie. He jokingly suggested that if there was an objection, that Gandalf would be re-written to have recently given up smoking, and instead would suck on candies, in an effort to curb his addiction. Fortunately, for the filmmakers, there was no objection to the smoking.
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There were supposed to be one hundred forty-four Hobbits at Bilbo Baggins' party. Due to budgetary constraints, there were only one hundred.
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Although Bilbo Baggins' opening scenes are in Hobbiton, Sir Ian Holm never actually worked on the location. His scenes were all done against a greenscreen.
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When Bilbo makes his farewell speech at the party, Dominic Monaghan read the speech for the reaction shots of the hobbits.
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At Bree, when the Nazgul 'kill' the hobbits, Peter Jackson does a close-up reaction shot of Merry, as he pulls back, you can see Frodo come into frame. To facilitate the shot he wanted, Jackson had Elijah Wood sit on the edge of the bed and then slide in as the camera pulled back. If you watch carefully you can see he is in motion.
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There is a second hidden extra in the four-disc version of the DVD. It is the preview of The Lord of the Rings: The Two Towers (2002) that was attached to theatrical prints of this movie, near the end of its theatrical run. You can find it by going to the chapter index of the second disc, going to the last chapter 'Official Fan Club Credits' and pressing 'down'. An icon of The Two Towers appears. Press play and you'll see director Peter Jackson presenting this feature. The same trailer is on disc two of the Blu-ray release. Just stay at the special features screen after letting the extended credits roll.
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The designs for the Mines of Moria sets were inspired by the works of Venetian artist Giovanni Battista Piranesi and Dutch artist M.C. Escher.
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Despite Liv Tyler's significant role in the movies, the character of Arwen only appeared very sparingly in the books. She briefly appeared in one scene in The Fellowship of the Ring before the Council of Elrond, and again with just one spoken line in The Return of the King after the One Ring is destroyed. In the book, it was an Elf called Glorfindel who safely delivered Frodo to Rivendell, not Arwen. Other key scenes from the books were not shown in the movies, while many others were altered for the sake of entertainment. Several characters from the books, including Tom Bombadil, Radagast, and Bill Ferny, were never shown, or hinted at, in the trilogy.
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In the book, it is Frodo who had been pilfering Farmer Maggot's crops, and he had stolen mushrooms from the farm, years prior, when he was only a child.
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In the movies, the shards of Narsil are kept at Rivendell, and not reforged and given to Aragorn until midway through the third movie. This is a notable difference from the book, in which Aragorn is already in possession of the broken sword when the Hobbits first meet up with him in Bree. According to Peter Jackson's commentary on the DVD, one of the reasons for this change is because he felt Aragorn would look silly wielding a broken sword.
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The chapter titles 'A Long-expected Party', 'A Short Cut to Mushrooms', 'The Bridge of Khazad-dûm', 'Lothlorien', and 'The Breaking of the Fellowship' from the book are spoken lines at their respective points in the storyline, with the exception of 'The Breaking of The Fellowship', which is foreshadowed during the scene at 'The Mirror of Galadriel'. 'Riddles In The Dark' is also mentioned, the name of a chapter from 'The Hobbit'. In the Extended Edition DVD, the prologue title 'Concerning Hobbits' was mentioned by Sir Ian Holm (Bilbo) in the opening scenes at Bag End, before the first chapter is named.
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Viggo Mortensen became very attached to his sword during filming while trying to fully become his character. He often carried it around with him, and even had the police stop him once for having it in public.
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Cate Blanchett joked that she took the role of Galadriel because 'I've always wanted pointy ears.'
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Although this movie received a PG rating in the U.K., it was with a disclaimer that some scenes might be unsuitable for young children. After Jurassic Park (1993) and The Lost World: Jurassic Park (1997), it was only the third movie to receive such a disclaimer.
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During the Fellowship's stay in Lothlorien, Boromir says that his father Denethor is 'a noble man'. In The Lord of the Rings: The Two Towers (2002) and The Lord of the Rings: The Return of the King (2003), Denethor was played by John Noble.
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Sir Anthony Hopkins and Kate Winslet turned down roles in the trilogy.
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Because Lawrence Makoare's vision was impaired while he was made-up to look like Lurtz, he could not pull punches during the sequences when he battles Aragorn in hand-to-hand combat. Rather than having Makoare do this sequence over until he could pull his punches, Viggo Mortensen decided to fight back just as realistically, making the physical blows completely real.
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Stuntwoman Lani Jackson doubled for Arwen for some fight scenes that were cut from this movie. Jackson appeared in the trilogy as various stunt orcs.
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Howard Shore used the music of Richard Wagner as his primary influence for the movies' musical scores. Wagner's most famous work is the four-opera cycle called 'The Ring of the Nibelung'.
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Peter Jackson wanted either Russell Crowe or Daniel Day-Lewis for Aragorn. Both of them turned it down, Crowe choosing A Beautiful Mind (2001) instead, despite him hailing from New Zealand. He was also unwilling to play a role similar to his one in Gladiator (2000).
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Bilbo says the words, 'I'm not at home', when some relatives bang on his door. 'Not At Home' is also a chapter title from The Hobbit.
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Though this is the first time that three movies have been shot concurrently, it is not the first time that more than one movie in a planned trilogy have been shot simultaneously. In fact, the cast of this movie features actors from the other projects. Sir Christopher Lee appeared in The Three Musketeers (1973) and The Four Musketeers: Milady's Revenge (1974), although those movies were shot as one, then decided later to split in two. Elijah Wood made his movie debut in Back to the Future Part II (1989), which was shot back-to-back with Back to the Future Part III (1990). Hugo Weaving, and later Bruce Spence (who played the Mouth of Sauron in The Lord of the Rings: The Return of the King (2003) Extended Edition) also appeared in The Matrix Reloaded (2003) and The Matrix Revolutions (2003), which were shot at the same time.
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Gandalf (Sir Ian McKellen) has clearly been around for ages, as evidenced by his vast knowledge and long-time acquaintances with many characters. However, a fact not explicitly stated by the movie is that all Wizards arrived in Middle-earth around one thousand years after Sauron's defeat. None of them participated in the Last Alliance of Men and Elves, which also explains why neither Gandalf nor any other wizard is present nor alluded to in the prologue.
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Richard Taylor's Weta Workshop made over 45,000 individual items from prosthetics to armor for the trilogy.
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The Beatles wanted to star in an adaptation of The Lord of the Rings, and asked Stanley Kubrick to direct. Kubrick declined, feeling the book was unfilmable. The cast would have been Sir Paul McCartney as Frodo, George Harrison as Gandalf, Sir Ringo Starr as Samwise, and John Lennon as Gollum.
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In a departure from the original Tolkien, Gandalf's sword (Glamdring) does not glow in the presence of orcs (like Bilbo's Sting) and is never named. In the commentary for the Extended Edition, Peter Jackson and Philippa Boyens joked that 'budgetary cuts' led to 'not enough blue left' for both swords. However, the commentary for one of the Hobbit movies explained that a glowing Glamdring would have looked too much like a Star Wars light-saber.
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Look carefully at the left hand margin of Bilbo's book when Frodo is flipping through it at Rivendell. Just before he turns it to look at the map, you can briefly see the names of all thirteen Dwarves featured in The Hobbit. (Bilbo also mentions wanting to go and see Lake-town again in the same scene.)
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In order to make the actors playing Hobbits and Dwarfs look noticeably smaller than humans, Wizards, and Elves, roughly three techniques were used. The easiest way was to simply put some actors farther away from the camera than others, using forced perspective as a way to make some appear taller than others. In other situations, a small actor was used as a scale double, with the face of the real actor digitally superimposed over the double's face. Finally, for several shots, actors were filmed separately against a greenscreen, and were digitally composited together into the same shot with the desired height (the final shot at the end of the Council of Elrond was filmed this way). In Middle-earth lore, Dwarfs are slightly taller than Hobbits. Luckily, John Rhys-Davies (Gimli the Dwarf) was slightly taller than the actors playing the Hobbits, so in every shot in which Gimli and a Hobbit actor appear, he did not have to be filmed separately from his fellow actors.
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Movie theater prints of this movie were labelled 'Changing Seasons' on the film cans and the actual reels.
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WILHELM SCREAM: (At around three minutes and twenty seconds) After Sauron's third strike that kills a swath of enemies, The Ring is displayed while he is clutching his weapon. It can be heard briefly and partially.
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In the entirety of the trilogy, Legolas only speaks three words to Frodo: 'and my bow' during the scene at the council of Elrond. It could even be argued that these words were aimed at the entire council, not just at Frodo.
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The MTV Council of Elrond spoof easter egg Lord of the Piercing (2002) does not appear on the U.K. version of the four-disc set. This is because the BBFC would have required a '12' certificate for the set had it been included, instead of a 'PG' certificate. For the same reason, one of the documentaries has had some swearing cut out.
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In the book, it is Gandalf who guesses the answer to the riddle that guards the entrance to the Mines of Moria. In the movie, it is Frodo.
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Bruce Willis, a fan of the book, expressed interest in the role of Boromir.
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In the French version, names are translated (as in the books) into names that sound medieval to French people. Thus, Frodo and Bilbo Baggins are called 'Frodon et Bilbon Sacquet', the Shire is 'La Comté', Rivendell is 'Fondcombe', and so on.
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When the Hobbits are shown reacting to Gandalf's fireworks at Bilbo's party, they were actually reacting to a flashing light and an air horn.
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Helena Bonham Carter expressed an interest in the role of Arwen.
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Hugo Weaving was recovering from the flu during the filming of the scene where Elrond talks to Gandalf at Rivendell, and as a result, he had a hoarse voice. Co-writer Philippa Boyens remarked on the DVD commentary that she felt it actually enhanced the quality of his voice.
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Lurtz's name was never spoken aloud in the theatrical release. It is only known from the franchise end credits. However, in the Extended Edition, Lurtz's name was spoken by Saruman. Despite some initial fears that he was an entirely new character, he really wasn't much different from other 'generic Uruk-hai leaders' already present in the book.
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Warwick Davis, Timothy Spall, and Robert Trebor auditioned for the role of Gimli.
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Tom Baker was a candidate for the role of Gandalf after his brief, but praised, cameo as the dying Elven King in Dungeons & Dragons (2000). He turned it down, not willing to spend sixteen months in New Zealand.
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In 2007, the American Film Institute ranked this as the number fifty Greatest Movie of All Time. This movie was the most recently released entry of the one hundred movies compiled in the AFI's list.
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Stanley Kubrick once considered directing a Lord of the Rings adaptation. Ironically, his death was indirectly responsible for Peter Jackson being able to get the cast he wanted. Sir Ian McKellen and Cate Blanchett were going to appear in Minority Report (2002). Kubrick's death caused director Steven Spielberg to delay that movie and make A.I. Artificial Intelligence (2001) first.
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Tom Wilkinson was offered a role in the trilogy, but he didn't like the prospect of a sixteen-month-long production keeping him away from his family.
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Soria Moria Castle is a Norwegian fairy tale made famous by Peter Christen Asbjørnsen and Jørgen Moe in their classical Norske Folkeeventyr. J.R.R. Tolkien acknowledged that the name (in sound, not meaning) lay behind his 'Mines of Moria'.
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Liv Tyler was scared to operate a car during filming in New Zealand, due to having to drive on the opposite side of the road than what she was used to in the United States. She often had Orlando Bloom drive her around, as he was familiar with driving on the left side of the road, being from England.
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In August 2002, the home video release set a U.K. record, when it chalked up sales of 2.4 million.
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Sam Neill was considered for the role of Gandalf.
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Christopher Plummer was offered the role of Gandalf, but turned it down because of the long filming commitment.
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Ralph Bakshi, who made The Lord of the Rings (1978), admitted in a 2001 Empire Magazine interview that he was jealous of Peter Jackson and his 'The Lord of the Rings' trilogy.
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In an interview on the podcast WTF With Marc Maron, actor and comedian James Corden revealed that his first movie audition was for the role of Samwise Gamgee.
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Sir Sean Connery turned down the role of Gandalf in favor of Finding Forrester (2000). He's quoted as not understanding the part. Not appearing in the trilogy cost him an estimated $450 million.
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Billy Connolly was considered for the role of Gimli. He played Dáin II Ironfoot in The Hobbit: The Battle of the Five Armies (2014).
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Liv Tyler was one of the last actresses to be cast, on August 25, 1999.
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The lead Ringwraith's horse, a black Thoroughbred gelding, was purchased by an American equestrian, and began a competitive career in three-day eventing under the name 'Frodo Baggins'.
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The story that Bilbo Baggins tells at his birthday party about the trolls, took place in 'The Hobbit'.
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There are forty-seven chimneys in the Hobbiton location.
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The only movie in the trilogy to be given the PG rating in New Zealand.
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Executive producer Mark Ordesky recommended Viggo Mortensen after seeing him in a play.
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Bernard Hill was considered to play Gandalf. He played King Theoden in the next two movies.
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The only Best Picture Oscar nominee that year to be nominated for Best Original Song and Best Visual Effects.
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Johnny Vegas auditioned for the role of Samwise Gamgee. He recalled, 'I was dreadful. I'm in front of a bluescreen, they go, 'Imagine a spider' and there's me going, 'Oooh, Shelob! Shelob!' Peter Jackson's taking his glasses off and rubbing his eyes, saying: I flew from New Zealand for this.'
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Patrick McGoohan and Sir Nigel Hawthorne turned down the role of Gandalf, due to ill health.
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Producer Tim Sanders left the project after principal photography had commenced.
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Robin Atkin Downes and Jason Carter auditioned for the role of Aragorn.
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Pippin causes a dwarf skeleton to fall down a well, immediately alerting the orcs to the presence of the Fellowship. In the book, he throws a stone. The orcs don't attack for a few more days, but it still appears to have alerted them, as they hear the echo of something tapping that stone.
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As the Felloswhip mourns Gandalf's loss outside Moria, a shocked, tearful Frodo turns to face the camera. Director Peter Jackson had told Elijah Wood before filming the shot, 'I want your grief to be frightening.'
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Lurtz's face marking is an upside down Hand of Saruman.
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About 3,100 shots (78% of the Super 35 film) were color graded at Colorfront in Wellington, New Zealand, using 5D Colossus software, after being scanned by an Imagica XE scanner full 2K resolution (2048*1536). The color-graded shots were then recorded on Kodak 5242 intermediate film by two Arri Laser film recorders at ten bits per channel. Because only 78% of the film was digital, a digitally-squeezed anamorphic print could not be made for the whole movie. Instead, the digital shots were recorded on an inter-negative hardmatted at 1.77:1, intercut with the non-digital original negative (which had been color timed by The Film Unit, New Zealand), and printed to 2.39:1 anamorphic Kodak film, using an optical printer at Deluxe, Los Angeles, California. Fuji 3519-D was used for release prints.
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Nicolas Cage turned down the role of Aragorn due to family obligations.
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Sir Christopher Lee played a similar role in the Star Wars prequels, Star Wars: Episode II - Attack of the Clones (2002) and Star Wars: Episode III - Revenge of the Sith (2005), and in those movies, Count Dooku (Lee) is a former Jedi who has turned to the Dark Side, and become apprentice to Darth Sidious (Ian McDiarmid).
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When the four Hobbits are hiding underneath the grass verge early in the movie, the black rider approaches above them. There is a gap between the tree and the pathway to the right of the screen in which you should see the rider pass through before entering the center of the screen, however he does not pass through it.
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Liv Tyler was sick with the flu during production.
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Featured two actors who have played James Bond villains: Sir Christopher Lee in The Man with the Golden Gun (1974), and Sean Bean in GoldenEye (1995).
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When Frodo escapes from Boromir and runs up the hill with the Ring on, he sees Sauron's lair of Barad-dur zoom closer. This is not an effect of wearing the Ring. The place he runs to is Amon Hen - 'Hill of the Eye,' a place for guarding the borders of Gondor - and it has a magical property which allows someone at the peak to see vast distances as though looking through a telescope.
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Sir Ian McKellen was the only Best Actor in a Supporting Role Oscar nominee that year that was from a Best Picture nominated movie.
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Elijah Wood was the first actor to be cast on July 7, 1999.
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The filmmakers approached Liv Tyler after seeing her performance in Plunkett & Macleane (1999), and New Line Cinema leapt at the opportunity of having one Hollywood star in this movie.
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Included amongst the '1001 Movies You Must See Before You Die', edited by Steven Schneider.
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Sir Ian McKellen and Sir Christopher Lee portrayed Sherlock Holmes. McKellen in Mr. Holmes (2015), and Lee in Sherlock Holmes and the Deadly Necklace (1962), Sherlock Holmes and the Leading Lady (1991), and Sherlock Holmes: Incident at Victoria Falls (1992).
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When Saruman is overseeing the work being done by the orcs below the tower of Orthanc, if you listen closely you can hear a sound effect which is similar to a light-saber, and then cuts back to Saruman, Sir Christopher Lee starred as Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and Star Wars: Episode III - Revenge of the Sith (2005).
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Although it is a popular belief that illustrator John Howe cameoed as one of the nine Kings of Men in the prologue, this is not true according to Weta Workshop's Daniel Falconer. Artist Alan Lee was one of the Kings as was actor Larry Rew.
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Although the books were originally published as a trilogy, the films were initially going to be made into two 'Lord of the Rings' films preceded by 'The Hobbit'. These plans changed after Peter Jackson brought the project to New Line Cinema: the previous studio, Miramax, initially wanted the trilogy covered as a 'duology'.
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During the confrontation with the Balrog, Gandalf says 'I am a servant of the Secret Fire, wielder of the Flame of Anor.' These are mystical aspects of the most powerful visible force in Middle Earth: the Sun. The five Wizards, of which Gandalf was one, swore obedience to the 'Secret Fire.'
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Andy Serkis played another bald character, who is a CGI character, Supreme Leader Snoke in the third Star Wars trilogy. Fans speculated that 'The Lord of the Rings' was one of George Lucas' influences behind the Star Wars saga. Sir Christopher Lee played Count Dooku in the Star Wars prequels.
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Sean Astin (Samwise Gamgee) and Billy Boyd (Peregrin 'Pippin' Took) appeared in The Witches of Oz (2011) and Dorothy and the Witches of Oz (2012).
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Elijah Wood and Sir Ian Holm appeared in movies about parasitic extra-terrestrials. Wood appeared in The Faculty (1998), and Holm appeared in Alien (1979).
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The moth was a Antheraea polyphemus, (Polyphemus moth).
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Sir Christopher Lee's voice, in the Italian version of this movie, was dubbed by Omero Antonutti.
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Gandalf doesn't have the sword Glamdring when he goes to the Shire before leaving to see Saruman. If he had, Saruman would've confiscated it. Wherever he left it, he had no time to retrieve it.
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Cameo

John Howe, Alan Lee: In the prologue, the two most famous Middle-earth artists can be seen as two of the nine human Kings.
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Zo Hartley: A Hobbit couple, who were about to kiss, before the other ate a cupcake instead, in the Extended Edition.
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Michael Elsworth: Cirdan the Shipwright in the left of Gil-galad and Galadriel during the prologue, and an archivist who escorts Gandalf to the archives in Minas Tirith.
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Gino Acevedo: One of the Dwarf-lords during the prologue.
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Matt Appleton: One of the Elves at the Council of Elrond.
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Director Cameo

Peter Jackson: As the belching peasant outside the Prancing Pony Inn in Bree.
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Director Trademark

Peter Jackson: [children] Jackson's children Billy Jackson and Katie Jackson are listed in the end credits as 'Cute Hobbit Children'.
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Spoilers

The trivia items below may give away important plot points.

The dummy of Sean Bean's body, seen at the end, was so convincing that a crew member, while taking lunch orders, asked other cast members if he wanted anything.
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Sean Bean is wearing a fiberglass bodysuit underneath his costume for his death scene to stop the arrows sticking out of him from wobbling.
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When Frodo is leaving everyone behind at the River Anduin, to take up the quest on his own, divers went into the water to make sure it would be free of any sharp objects or debris for Sean Astin to run into when Sam goes chasing after him. Although they gave the 'OK', Sean ended up stepping on a piece of glass that completely pierced his foot from bottom to top, requiring a helicopter to transport him to the nearest hospital, and receive several stitches.
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Sean Bean named Boromir's death in this movie as his favorite on-screen death.
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That's a silicon shell of Sean Bean that goes over the waterfall at the end.
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